Official Release: “Performance Video with Audio Feedback by Jury Chairman Kenichi Soki” – Launching from Tokyo 2026
The “Performance Video with Real-Time Audio Feedback by Jury Chairman Kenichi Soki” will be officially launched as a new service starting from Tokyo 2026.
With this release, we are introducing a new Pre-Request Feature designed to become a true tailwind for your growth.
This initiative transforms the Wind Ballet Concours from a place of evaluation into a unique learning experience—where dancers can reflect deeply on their challenges and gain new momentum through the perspective of Jury Chairman Soki.
We hope the “wind” you capture through this experience will carry you forward and elevate the quality of your daily training.
■ Direct Answers to Your Personal Challenges
With this service, applicants can now submit in advance the specific points they would like to receive feedback on.
Whether it is a habit you understand but cannot correct, or a technique your teacher has pointed out but remains difficult to master, please feel free to share your concerns and goals.
While reviewing your performance video, Jury Chairman Kenichi Soki will provide precise explanations and real-time audio feedback based on your request—helping you find the right direction and move forward with confidence.
■ Available for All Divisions (A, B, and C)
This service is available to participants of all divisions.
From first-time competitors to dancers aiming for international stages, personalized feedback will be provided according to each dancer’s level and goals—helping you build momentum toward your next step.
■ Examples of Pre-Request Entries
When applying, you may include specific concerns or goals as shown below.
*The examples below are for reference only. Please consult with your instructor before filling out your request.
[Example 1: Technical Improvement]
“My axis tends to shift backward after pirouettes, making my landing unstable. Although I try to maintain lift, I feel my en dehors weakens in the later manège. I would appreciate focused feedback on where my alignment breaks down.”
[Example 2: Artistic Expression]
“I will perform a variation from Giselle. I tend to focus too much on technique and struggle to express the character’s epaulement and delicate atmosphere. I would like detailed feedback on my upper body movement and head positioning.”
[Example 3: Musicality & Overall Presentation]
“My movement tends to rush ahead of the music, making my dancing appear small. I would like advice on how to use musical phrasing more effectively and improve transitions through better breath timing.”
[Example 4: Preparing for International Competitions]
“I aim to study abroad and compete internationally. I would like an evaluation from an international perspective on whether my footwork and precision meet global standards, as well as feedback on unnecessary movements in my preparation.”
■ Package & Pricing
This service is offered as a set including video and photo materials, allowing dancers to review their performance from multiple perspectives.
Contents:
Performance video with audio feedback (MP4)
Performance video without audio feedback (MP4)
20+ stage performance photos (JPG)
*All items are provided as a complete set.
Pricing:
Pre-order Special Price: ¥20,000 JPY
Regular Price (after May 12): ¥27,000 JPY
*After the pre-order deadline (May 12), the regular price will apply. We encourage you to take advantage of the pre-order period and catch this opportunity.
■ Application Form
Head of Jury: Mr. Kenichi Soki
Kenichi Soki
Founder & Artistic Advisor, Soki Ballet International
Born in Yokohama, Kanagawa Prefecture.
He began studying ballet at the age of three under Mika Nemoto, Daniel Levans, Serge Stefanschi,Roy Tobias, Peter Breuer, David Howard, and others.
In 1985, at the age of 16, he became one of the youngest dancers to pass the audition for the Universal Ballet Company, officially joining after graduating from high school.
In 1990, he moved to the Hong Kong Ballet as a soloist.
From 1991, he danced as a soloist with the Salzburg State Theatre Ballet in Austria, performing across Europe in Austria, Germany, Switzerland, France, Italy, and Spain.
He returned to Japan in 1996.
From 1997, he was contracted as a soloist with The National Ballet of Japan,Tokyo. In the same year, he founded Soki Ballet International in Sendai.
In 1999, he opened a purpose-built ballet studio in Izumi Park Town, Sendai, and established his base there to begin full-scale teaching.
In 2007, he choreographed the set combinations (enchaînement) for the Junior and Senior Men’s divisions at the 18th All Japan Ballet Competition of the Japan Ballet Association.
He also served as a judge and choreographer for the enchaînement in the Women’s and Men’s divisions at the Japan Ballet Association Kyushu North Branch Ballet Competitions in 2010, 2011, 2016, and 2017.
In 2012, upon the recommendation of Mr. Kenji Usui, he served as a Japanese judge at the 25th Varna International Ballet Competition.
Since 2013, he has been a regular judge for the All Japan Ballet Union.
In 2016, he served as a judge at the Korea International Ballet Competition.
Since 2017, he has been a regular judge for the Canaan International Ballet Competition (Hong Kong, Malaysia, Indonesia, Taiwan).
In 2018, he taught at the Dutch National Ballet Academy and choreographed Grande Défilé for Chula Vista Ballet (San Diego, USA). His work Romance won 1st place in the Contemporary Junior Division at the YAGP 2019 Japan Semi-Final.
Since 2019, he has been coordinating scholarships and teaching at the Kirov Academy of Ballet of Washington DC.
Since 2020, he has been serving as a judge and master class teacher at the Miami International Ballet Competition.
He currently teaches workshops and competition coaching both in Japan and internationally, offering “lessons that balance mind and body,” based on his Self-Acceptance Theory.
Honors and Positions
• Founder & Artistic Advisor, Soki Ballet International
• Member, Miyagi Prefecture Western Dance Association
• Councilor, Asia Ballet Academy
• 16th Varna International Ballet Competition, Senior Division – Organizing Committee Award
• 6th Paris International Dance Competition, Classical Senior Division – Prize Recipient
• 60th Tokyo Shimbun National Dance Competition – Excellent Teacher Award
• 1st Sendai Ballet Competition for Youth – Excellent Teacher Award
• 2nd and 4th Japan Grand Prix – Teacher’s Award
• 1st Yokosuka International Ballet Competition – Excellent Teacher Award
• 16th Ballet Competition 21 – Excellent Teacher Award
• 11th, 12th, and 13th All Japan Ballet Union – Teacher’s Award